Dharmafreak

In the present-day world, where Indian classical music is being hijacked by shallow gimmicks, unwarranted speed, high pitch and high volume, there is a need to reiterate the value of true ‘aesthetics’ that Indian music has always stood for. Very few and rare are those musicians who are able to uphold traditional values and at the same time explore the unfathomable dimensions of the ocean called ‘Music’ and thereby create a deep, musically enriching ‘aesthetic’ experience to the rasikas. The role of mridangam in Carnatic music is better experienced than said. Often hailed as the ‘King of Percussion’ and ‘Queen of Melody’ it is a not just a Talavadya, but a Layavadya and Shrutivadya as well. A sensible and sensitive mridangam accompaniment goes a long way in elevating the musical rendition, be it vocal or instrumental. A galaxy of incredible Mridangam Maestros of the yesteryears have not just taken the art of Mridangam playing to the greatest heights but also paved the ...